The bride handed me a seam ripper and asked me to fix the dress she had built her fortune on stealing. Then she leaned close and whispered, “Try not to bleed on something you could never afford.”
I looked at the tiny pearl buttons.
I had drawn them first.
Eight years earlier, Chloe Mercer and I shared a basement apartment, one sewing machine, and a dream of winning the Bellamy design fellowship. I worked diner shifts while she photographed my collection for the application.
“You make beautiful things, Nora,” she told me. “Let me handle the boring part.”
The boring part was changing the name on my portfolio.
When I complained, the committee received emails from my account admitting I had copied her work. Chloe knew my password. Before anyone could investigate my accusation, she was in Paris, wearing my coat in a photograph captioned NEW AMERICAN TALENT.
My mother sold her wedding ring to cover our overdue rent.
Three months later, she died before I could buy it back.
Chloe sent flowers.
I kept the card longer than the flowers.
Now her wedding occupied an entire Newport estate. Her gowns hung in department stores. Her fiancé, Daniel Ashford, belonged to a family whose investment company could turn a fashionable label into an empire.
She had invited me personally.
“I want you to see that everything worked out,” she said over the phone.
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